Here's where I destroy the mystery of what I've pegged as number one for January.
January brought with it some stunners. I won’t bore you with exposition; let’s just get to the music.
5. Braids — Native Speaker
Native Speaker is mysterious and draws a bit long. It’s even kind of clumsy. Somehow, though, Native Speaker is satisfying — invigorating, even.
Braids — “Lemonade”
[audio:http://www.musicgeek.org/wp/wp-content/uploads/2011/01/Braids_-_Lemonade.mp3|titles=Braids – Lemonade]
4. Robert Pollard — Space City Kicks
I worry sometimes when I talk about music from Robert Pollard. He’s sort of a demigod in the indie rock world, having been in the driving seat for many years with the inimitable GBV. Thankfully, Space City Kicks sees him to return to parsimonious songwriting again, and there are some really memorable tracks here.
3. Ensemble — Excerpts
This is future chamber pop. Really, I think some French-speaking space aliens swooped down in a time travelling spaceship, dropped this indie pop at the band’s door, and it’s hit the world.
Ensemble – “Things I Forget”
[audio:http://www.musicgeek.org/wp/wp-content/uploads/2011/01/Ensemble_-_Things_I_Forget-MP3-192-VBR.mp3|titles=Ensemble – “Things I Forget”]
2. Smith Westerns — Dye it Blonde
Smith Westerns have taken their fragmented, noisy approach and spiffed it up. Dye it Blonde is fuzzy, exciting power pop. It ventures into euphoria sometimes. Yum.
1. Destroyer — Kaputt
Destroyer, that brilliant man. Or Dan Bejar, that brilliant man. Something like that. He can hardly do wrong. Kaputt is everything done correctly. As a result, this is an early contender for album of the year — when the end comes, don’t forget about this January masterpiece.
Destroyer – “Chinatown”
[audio:http://www.musicgeek.org/wp/wp-content/uploads/2011/01/Destroyer_Chinatown.mp3|titles=Destroyer – “Chinatown”]
And if you’re looking for more to check out:
• The Decemberists — The King is Dead. Good stuff, that. It’s the same band doing something different again. Keep it at, Meloy.
• The Beets — Stay Home. Fuzzy, lo-fi, but some fine songwriting beneath it all.
• Minks — By the Hedge. Hazy, noisy pop, but it’s got some good moments.
• Oh No Oh My — People Problems. Refined, not brilliant. Not so sugary. I don’t mind.
And just wait for February:
• Esben and the Witch — Violet Cries. This is great stuff — brooding, mysterious, engaging wrapped in a very strange package. First listen was not great, but now I can’t get enough.
• Bright Eyes — The People’s Key. Conor Oberst as Bright Eyes: He’s back!
• Mogwai — Hardcore Will Never Die, But You Will. Post-rock goodness from part of the ruling class.
• James Blake — James Blake. Interesting Brit dubstep. Not my favorite of February so far, but I’ve set it as my alarm album a couple times to good effect. A little too dreamy to wake up to, but it’s fun.
• Asobi Seksu — Flourescence. I’ve not listened to this yet, but I have some high expectations. Not too high, but high.
Ryan Graveface, the man behind Dreamend, has had my ear for a number of years now. He first landed on my radar when I, on a bit of a whim, bought As If By Ghosts. I was, I think, duly impressed, and I’ve since paid some attention to 
