Archive for the ‘Features’ Category

Photos: Groovacious Open Mic Night, Feb. 10

Open Mic Night at Groovacious Records in Cedar City, Utah, has been a staying point of the southern Utah music scene for years. The event features some of the most talented — and most raw — talent in the area, and as a result, the performers usually draw a sizable crowd. Yesterday was no exception.

The vital details! Open Mic Night at Groovacious is:

  • … scheduled every Wednesday night at Groovacious Records in Cedar City, Utah.
  • … scheduled to start at 8 p.m., and it very rarely starts even a few minutes late.
  • … open to performers of all cuts and styles. Performers need to arrive by 7:30 p.m. to sign up, and there are limited slots — the earlier the better!
  • … about two hours long. Not every session lasts two hours, but it’s almost always out by 10 p.m.
  • … located at 173 North 100 West in Cedar City.
  • … at the site of the only independent record store in southern Utah. Groovacious features a wide selection of high-quality, new and used vinyl, CDs, DVDS and more.
  • … fun for all ages!

PLAYLIST: Top 10 songs for the open road

 

Matthew Montgomery, 2009

Back in September 2009, I had the opportunity to spend a lot of time in my car while traveling across the western half of the United States. During this time I discovered that when speeding down a side road in Iowa, not all songs were created equal. Here is a list, in no particular order, of the 10 best songs for driving to.

1. The All New Adventures of Us – “Firetruck”

This song is wonderful to say the least. It meets all the requirements to be a good driving song: sonic guitars, blasting horns, enough changes to keep you interested and of course, a beat you can tap your gas pedal too. The song speaks of never missing another adventure, and that really embodies what this article is about: adventures.

2. The Beatles – “Two of Us”
“Two of Us” is one of those jangly guitar songs you just can’t do without on a good drive. It’s stood the test of time and after nearly 40 years it is just as valid as it was on its release. The song itself induces images of driving on a winding backroad with the windows down and the sun shining.

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Music Geek: The Arcade Fire’s “Rebellion”

See, I can look classy every now and again.

See, I can look classy every now and again.

Whilst listening to the latest episode of All Songs Considered from NPR — it’s on the decade defined — The Arcade Fire’s “Rebellion,” from the group’s seminal 2004 full-length debut Funeral, imparted upon me a certain unusual zeal; it is a sort of zeal, I find, that is only imparted by the occasional realization of a song’s power and the inner workings behind such power. Radiohead’s “A Wolf at the Door,” most recently, hit me the same way; for weeks, I diagrammed the structural intricacies in an attempt to understand why, exactly, the song just… worked. (more…)

Music Geek #17: Radiohead, Thom Yorke release strategy indicative of creative shift?

Radiohead, the album band — you know, the one that hit it big with a single, then turned around and crafted some of the greatest albums of the modern era? The range of responses to questions in the vein of, “Do you like… Radiohead?” comprise two distinct types of answer: “[Insert post-Pablo Honey-album-title here] was fucking great,” on one hand, and “I love Creep!” on the other. It happens.

But the album-oriented Radiohead may have gone by the wayside a bit, and it seems they’ve got Thom Yorke in tow. Here’s a quick timeline, if you’ve missed it somehow:

5 August 2009: Radiohead release “Harry Patch (In Memory Of)”
17 August 2009: Radiohead release “These Are My Twisted Words”
21 September 2009: Thom Yorke releases double A-side single, “Feeling Pulled Apart By Horses / The Hollow Earth” [Stereogum]

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Music Geek #16: 10 years of Agaetis Byrjun

Sigur Ros - Agaetis Byrjun

Sigur Ros - Agaetis Byrjun

While I can’t say I’ve been listening to Sigur Ros for ten years (I’m only 23, after all,) the anniversary of Agaetis Byrjun still holds a notable impact in my development of musical tastes. When I first heard this album, I was an impressionable 15-years old and only beginning to realize the breadth and depth of music at my digital fingertips (ah, a pun!)

It introduced me to a world of post-rock and soaring, dynamic soundscapes — and though I wasn’t necessarily unfamiliar with the latter, the Icelandic outfit took it to a logical extreme I hadn’t yet witnessed. This, I thought, was music that made me feel emotional, excited, happy, sad; truthfully, the state of emotion didn’t much make a difference, but the magnitude. As a happy teen listening to Agaetis Byrjun, the album took on a bright, shimmery light; as an occasionally angst-ridden 16-year-old, the album came in a more sad, depressed form. As a teen who avoided some of the emotional highs and lows of his peers (though I wasn’t without fault, by any means) Sigur Ros gave me something to feel when I didn’t want to worry about feeling other things. (more…)

Music Geek #15: Music as Emotional Memory

In dealings with my friends and colleagues, I have noticed, as have many, many others, an undeniable commonality. Of course, this is not to say this does not apply to all people, but I’ll qualify my statement, as I haven’t really done further research on the matter.

It seems the large majority of people with which I have regular conversation are inclined to form connections to music as a method of reliving emotion. I suppose I sympathise with the notion: Music, I’d argue, is a much more powerful creation than simple words. It resonates (quite literally) through us in ways undeniable, whether they are cultural, personal, or innately human. I’m inclined to think it may be the latter, but this is another topic for another day. (more…)

Music Geek #14: Success as Failure

In reading an interview with once-internet-sensation Tay Zonday by Broken Cool, it becomes evident the outlook “the ‘Chocolate Rain’ guy” has about popular music is by no means one major labels — nor the artists on them — want you to hear. He embodies an almost embroiled bitterness toward mainstream media (or, perhaps, media altogether) and the Western notion of success.

“Success Level” is a fairytale invented to give journalists something to print by each deadline. It allows readers to vicariously live a celebrity soap opera about who makes it and who doesn’t. It turns the world into comic fiction that has nothing to do with music or life.

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MusicGeek #13: What I’ve Missed

Matt the MusicGeekOver the past year, music, while not having fallen to the wayside, has taken a bit of a backseat in my life for reasons I don’t quite comprehend yet. It’s not as if I’d really listened to less music, but my yearning and urge to discover new, interesting music dropped considerably, which, as a result, also saw fewer updates to this site I update only vaguely anyhow.

Perhaps it’s hearing a few new albums that get me excited about new music being released that’s done the trick. In the last week, I’ve made more of an effort to hear new music than in the past six months, which, I must say, is a bit of a shame. Here’s a short list of a few albums that I’ve been listening to recently — perhaps reviews will come soon.

Charles Spearin — Happiness
Phoenix — Wolfgang Amadeus Phoenix
The Mountain Goats and John Vanderslice — Moon Colony Bloodbath
Grizzly Bear — Veckatimest
The Rural Alberta Advantage — Hometowns
Leaves — We Are Shadows

Maybe all I needed was something to be excited about again, but after an unnecessary hiatus, I’m ready to write again.